Yellow Matters ‘ A Window and a Street’ – Grace Euna Kim

‘A window and a street’

Grace Euna Kim

19:00 – 23:00
Performance at 19:30

14.-25.04. 2017

Grace Euna Kim’s performances are immersive contexts developed in close connection to the social reality of the audience, who are both subjects and objects of artistic action. Rooted in interventionist methodologies, the work challenges the imaginary mechanisms that shape our common belief structures and the relation of self, other, and world. ‘A window and a street’ invites the audience into a collective reflection on the cages of the imagination and the absurdity of our human condition.

http://www.euna-kim.com/

‘A window and a street’ is part of the long-term curatorial project ‘Yellow Matters’ by SOMA Art Gallery Berlin and is supported by Senatsverwaltung für Kultur und Europa Berlin (Senate Department for Culture and Europe Berlin).
http://somagallery.de/

Curator : Nabi Nara

 

photo credit: Nadja Sayej, nadjasayej.com

photo credit: Nadja Sayej, nadjasayej.com

photo credit: Nadja Sayej, nadjasayej.com

                                         photographer: marjorie brunet plaza


Yellow Matters ‘Global Society’ – Gulnur Mukazhanova

‘Global Society’

Gulnur Mukazhanova

Opening :
19:00 – 23:00 03.03.2017

The long-term curatorial project ‘Yellow Matters’ by SOMA Art Gallery Berlin will present 7 Asian – backgrounded women artists who’s work is mainly focused on the identity.

“In Central Asia we have the concept of mankurtism, which describes the loss of the national roots, the traditional values and culture. Previously it referred to slaves, called Mankurts, who completely lost the memory of their past live by undergoing a special, torturelike treatment.Today we use this term to describe people who have, consciously or unconsciously, adopted other cultural values.This loss of memory concerns the manners, the morals and even the language, which are being replaced by other values.One of the causes of this phenomenon in our time is globalization.
Modern life in Kazakhstan with its new sets of values has become so natural, that it seems almost impossible to connect with the ancient nomadic traditions. Perhaps it would also be not suitable anymore. Now, since we are no longer nomads, I would like to know, what should we keep and what should we give up, as a new generation? What do we need to keep in mind in this present process of change?
Considering and reflecting upon all this, one wonders whether it makes any sense at all to deal with this issue, or if it would better to simply live in the flow of these events without thinking about them?”

The Artist Gulnur Mukazhanova is born and grown up in Kazakhstan has been based in Berlin since 2009, graduated from the Kazakh National Academy of Arts, Almaty, Kazakhstan and Weißensee Kunsthochschule Berlin.

Gulnur Mukazhanova will present her on-going series ‘Global Society’ within Yellow Matters programm.

Technically Asians are 60% of the world population and Asia is full of diversity, although the Western world fails to recognize the world’s largest ethnic group as it is. ‘Yellow Matters’ s purpose is to be heard, presenting our thought and voice through our artistic practice in Berlin.
The project is supported by Senatsverwaltung für Kultur und Europa Berlin (Senate Department for Culture and Europe Berlin ).

Curator

Nabi Nara

 

 

‘ROAD’ Berlin – Morocco – Western Sahara

 

SOMA rolled on the road with 40 Berliner artist’s works
more than 10,000 kms in 50 days between the two continents.
The works are shown on the site whereever we found the best
place. SOMA’s Nomadic BLue Project was shown in Chefchaouen – Fez – Essaouria – Sidi Ifni – Dakhla. The project spots were varying from the stormy desert to on the roof a mosque.

Nomadic Exchange Project between the two continents is on-going,  currently in develpoment process to be held in Dec. 2017 for 2 weeks in Morocco for further understanding between Europe and North Africa.

 

 

International Performance Festival – Survival

SURVIVAL

‘Stare. Print. Blue. – Voyeuring the Apparatus’

Digital Dramaturgie Lab

Performance-Installation

Slowness is one of the biggest provocations possible today. We live in times of rapid acceleration. In physics, acceleration is the rate at which the velocity of an object/body changes over time. But acceleration is also present in the rapid capitalist production that is heating up the scales of desire and consumerism while destroying the resources of our planet. Everything needs to happen in an instant and it needs to be translated into results, products, and real-time ranking. Data streams are racing through our bodies and through the machines/apparatuses/computers that we use and mostly don’t understand. We’re starting to wear them as wearable technology, providing ourselves with constant statistics on our being, thinking, and feeling. No time for process, for critical making, creation, experience, contemplation. Brecht, writing on taking the time to think about the relationship between artists’ naïve assumptions of independence and their dependence on a socio-cultural apparatus within which they work, comes to the conclusion: Thinking that they are in possession of an apparatus, which in reality owns them, they defend an apparatus over which they no longer have any control. (Brecht GW 17, pp.1005f.) The “Blue Brain Project” is currently trying to create a synthetic, computer-based human brain. Banking machines radiate blue light non-stop. Smart phone apps like the color blue. Let’s stare into the apparatus and see the desire for the color blue evolve in a woman-machine creature, a modern-day Centauris’ virtual acceleration and material mess colliding in slow-mo. Patience. Anxiety. Fear. Fascination. Endurance. You will be on the street, staring into the machine monitor/window until the obvious blurs and starts to make sense. Take the time. Be brave. Survival in/with slowness. Slowness is beauty. Go slow: A form of industrial action in which employees work at a deliberately slow pace. (A Dictionary of Business and Management, 2014)

Supported by

German/Europe Study and Research Fund of the Faculty of Arts and Science, University of Toronto http://www.artsci.utoronto.ca/

Centre for Drama, Theatre and Performance Studies, University of Toronto http://dramacentre.utoronto.ca/

Digital Media Program, York University, Toronto http://digital-media.finearts.yorku.ca/

Dr. Maike Budde, Hamburg

Kollaborateure/Collaborators:

Nazli Akhtari – actor, production assistant. Graduate student (MA) at the Centre for Drama, Theatre and Performance Studies, University of Toronto.

Antje Budde – director and dramaturge. Professor at the Centre for Drama, Theatre and Performance Studies, University of Toronto. Founder of the Digital Dramaturgy Lab.

Myrto Koumarianos – performer, curator, stage manager, poet. Doctoral student at the Centre for Drama, Theatre and Performance Studies, University of Toronto.

William J. Mackwood – digital lighting designer. Professor at the Digital Media Program at York University in Toronto.

Karyn McCallum – stage designer and recent winner of the Pauline McGibbon Award.

Michael Reinhart – actor and director. Doctoral student at the Centre for Drama, Theatre and Performance Studies, University of Toronto.

Sophie Roginsky – visual artist, production assistant. Digital Media Program at York University in Toronto and currently studying abroad in Kopenhagen, Denmark.

Don Sinclair – digital media artist. Professor at the Digital Media at York University in Toronto. Co-founder of the Digital Dramaturgy Lab.

Stare. Print. Blue. – Voyeuring the apparatus

Langsamkeit ist heute eine der grössten Provokationsmöglichkeiten. Wir leben in Zeiten rapider Beschleunigung. In der Physik versteht man unter Beschleunigung die Änderung des Bewegungszustands eines Körpers/Objekts, die momentane zeitliche Änderungsrate seiner Geschwindigkeit. Aber Beschleunigung ist ebenfalls ein Merkmal rapider kapitalistischer Produktion und erhöht die Messlatte der Begierden und des Konsumverhaltens während sie gleichzeitig die Resourcen unseres Planeten zerstört. Alles muss sofort passieren, muss in Resultate, Produkte und Echtzeit-Bewertungen umsetzbar sein. Datenströme rasen durch unsere Körper und Maschinen/Apparate/Computer die wir nutzen und die wir in der Regel nicht verstehen. Wir haben begonnen, sie am Körper zu tragen da tragbare Technologie uns ständige Statistiken unseres Seins, unseres Denkens und Fuhlens erlaubt. Keine Zeit fuer Verarbeitung, fur kritisches Machen, Kreation, Erfahrung, Kontemplation.Brecht, sich die Zeit nehmend uber die naiv angenommene Unabhängigkeit von Künstlern und deren tatsächlicher Abhängigkeit vom sozio-kulturellen Apparatus, in dem sie arbeiten, nachzudenken, kam zu dem Schluss: “Denkend, dass sie im Besitz des Apparatus seien, welcher in Wahrheit sie besitzt, verteidigen sie einen Apparatus, der schon lange nicht mehr ihnen gehört. (zitiert nach Brecht, GW, Bd.17, S.1005 fDas Blue Brain Projekt versucht gegenwärtig, ein kunstliches computer-basiertes Gehirn zu schaffen. Bankautomaten strahlen non-stop blaues Licht aus. Smart Phone Apps lieben die Farbe Blau.

Lasst uns in den Apparatus starren und beobachten, wie die Begierde nach der Farbe Blau sich in der Frau-Maschinen-Kreatur, einer modernen Kentaur/Κένταυρος, entwickelt – wo virtuelle Beschleunigung und materielle Schlammschlacht in Zeitlupe kollidieren.

Geduld. Unruhe. Angst. Ausdauer. Du wirst auf der Strasse stehen (oder bring dir einen Campingstuhl mit) und von aussen in den Maschinen-Bildschirm/Fenster starren bis das Offensichtliche verschwimmt und beginnt, Sinn zu machen. Nimm dir Zeit. Sei tapfer. Überleben in und mit Langsamkeit. Langsamkeit ist Schönheit. “Verlangsamen: Eine Form industrieller Aktion bei der die Beschäftigten absichtlich ihre Arbeit verlangsamen.” (Wörterbuch Business und Management 2014)

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